“Artists see the invisible before anyone else.”

“Young dancers have a beautiful, strong, flexible, and resilient body. And they have the fire of hope in their heart. However, the fire can be a bit feral like a young alley cat. It can go everywhere, in all directions, willy-nilly. It can turn all claws and spitting or it can get nervous and run away. It pretends things that aren’t true and is afraid of showing what is true. The older cat bides his time. He has patience. He pulls the fire inside and lets it smoulder. He doesn’t waste his energy on fights not worth the battle or where the casualties would be greater than the goal. He owns his failures like scars that say it would be wise to take him seriously. He is not ashamed of his loves. He values his spirit and lets it grow. It’s in the eyes. The body may move less but it has presence and a power of a different sort. It is authentic.”

“When there is no tension between the inner beingness and that which is being expressed, there is grace.”

“Oh Woman, come before us, before our eyes longing for beauty, and tired of the ugliness of civilization, come in simple tunics, letting us see the line and harmony of the body beneath, and dance for us. Dance us the sweetness of life. Give us again the sweetness and the beauty of the true dance, give us again the joy of seeing the simple unconscious pure body of a woman. Like a great call it has come, and women must hear it and answer it.”

“Some bow to the spirit of collectivism, while you ascend to the spirit of your own eclectic rhythms.”

“What you think of yourself in your mind is nobody’s business. Make it count.”

“Sometimes, what we need the most is the strength to survive in this world. Which forces us to pay, to watch the demons destroy the paradises we built and dance on its ruins.”

“For some reason, the sight of snow descending on fire always makes me think of the ancient world – legionaries in sheepskin warming themselves at a brazier: mountain altars where offerings glow between wintry pillars; centaurs with torches cantering beside a frozen sea – scattered, unco-ordinated shapes from a fabulous past, infinitely removed from life; and yet bringing with them memories of things real and imagined. These classical projections, and something in the physical attitudes of the men themselves as they turned from the fire, suddenly suggested Poussin’s scene in which the Seasons, hand in hand and facing outward, tread in rhythm to the notes of the lyre that the winged and naked greybeard plays. The image of Time brought thoughts of mortality: of human beings, facing outwards like the Seasons, moving hand in hand in intricate measure: stepping slowly, methodically, sometimes a trifle awkwardly, in evolutions that take recognisable shape: or breaking into seeminly meaningless gyrations, while partners disappear only to reappear again, once more giving pattern to the spectacle: unable to control the melody, unable, perhaps, to control the steps of the dance.”

“There is only one of you in all time, this expression is unique. And if you block it, it will never exist through any other medium and it will be lost.”

“Be with the flow, take the flow with you, align and make a rhythm out of it”

“It is strange to hear my wordsRead back to me.I don’t think I wrote themTo have them ever leave the page.I think I only writeWhat happens across my brainWhen my feet are too weary To dance anymore.”

“Our body is a sacred temple A place to connect with people. As we aren’t staying any younger We might as well keep it stronger.”

“Between my soul and my spirit, there is a ring of being,Where you jingle with joy, dance with the divine, my king.”

“Be awesome! Let your mind dance like a butterfly and your heart sing like a flower.”