“The crowning fortune of a man is to be born to some pursuit which finds him employment and happiness, whether it be to make baskets, or broadswords, or canals, or statues, or songs.”

“What if it becomes less about how we look and more about how much we care? What if it becomes less about how much money we earn and more about how much we share our good fortune? Imagine a world where who we are in our hearts is the ultimate status symbol.”

“As long as he deceived himself about the truth, he could blame fortune and have confidence in the future. Now the clouds of madness were closing round his mind.”

“I ran across an excerpt today (in English translation) of some dialogue/narration from the modern popular writer, Paulo Coelho in his book: Aleph.(Note: bracketed text is mine.)… ‘I spoke to three scholars,’ [the character says ‘at last.’] …two of them said that, after death, the [sic (misprint, fault of the publisher)] just go to Paradise. The third one, though, told me to consult some verses from the Koran. [end quote]’ …I can see that he’s excited. [narrator]’ …Now I have many positive things to say about Coelho: He is respectable, inspiring as a man, a truth-seeker, and an appealing writer; but one should hesitate to call him a ‘literary’ writer based on this quote. A ‘literary’ author knows that a character’s excitement should be ‘shown’ in his or her dialogue and not in the narrator’s commentary on it. Advice for Coelho: Remove the ‘I can see that he’s excited’ sentence and show his excitement in the phrasing of his quote.(Now, in defense of Coelho, I am firmly of the opinion, having myself written plenty of prose that is flawed, that a novelist should be forgiven for slipping here and there.)Lastly, it appears that a belief in reincarnation is of great interest to Mr. Coelho … Just think! He is a man who has achieved, (as Leonard Cohen would call it), ‘a remote human possibility.’ He has won lots of fame and tons of money. And yet, how his preoccupation with reincarnation—none other than an interest in being born again as somebody else—suggests that he is not happy!”

“I only seem negative to the fortunate. That’s because I show the less fortunate that they aren’t less fortunate after all.”

“€7,500, first-class, everything—and all that for 40 minutes selling them some old stuff.”

“You see the first thing we love is a scene. For love at first sight requires the very sign of its suddenness; and of all things, it is the scene which seems to be seen best for the first time: a curtain parts and what had not yet ever been seen is devoured by the eyes: the scene consecrates the object I am going to love. The context is the constellation of elements, harmoniously arranged that encompass the experience of the amorous subject…Love at first sight is always spoken in the past tense. The scene is perfectly adapted to this temporal phenomenon: distinct, abrupt, framed, it is already a memory (the nature of a photograph is not to represent but to memorialize)… this scene has all the magnificence of an accident: I cannot get over having had this good fortune: to meet what matches my desire.The gesture of the amorous embrace seems to fulfill, for a time, the subject’s dream of total union with the loved being: The longing for consummation with the other… In this moment, everything is suspended: time, law, prohibition: nothing is exhausted, nothing is wanted: all desires are abolished, for they seem definitively fulfilled… A moment of affirmation; for a certain time, though a finite one, a deranged interval, something has been successful: I have been fulfilled (all my desires abolished by the plenitude of their satisfaction).”