“It’s a hard life if you don’t weaken.”

“She used religion as a therapy for the ills of the world and herself, and she changed the religion to fit the ill. When she found that the theosophy she had developed for communication with a dead husband was not necessary, she cast about for some new unhappiness.”

“What is it that dies? A log of wood dies to become a few planks. The planks die to become a chair. The chair dies to become a piece of firewood, and the firewood dies to become ash. You give different names to the different shapes the wood takes, but the basic substance is there always. If we could always remember this, we would never worry about the loss of anything. We never lose anything; we never gain anything. By such discrimination we put an end to unhappiness. (118-119)”

“What are the dead, anyway, but waves and energy? Light shining from a dead star?That, by the way, is a phrase of Julian’s. I remember it from a lecture of his on the Iliad, when Patroklos appears to Achilles in a dream. There is a very moving passage where Achilles overjoyed at the sight of the apparition – tries to throw his arms around the ghost of his old friend, and it vanishes. The dead appear to us in dreams, said Julian, because that’s the only way they can make us see them; what we see is only a projection, beamed from a great distance, light shining at us from a dead star…Which reminds me, by the way, of a dream I had a couple of weeks ago.I found myself in a strange deserted city – an old city, like London – underpopulated by war or disease. It was night; the streets were dark, bombed-out, abandoned. For a long time, I wandered aimlessly – past ruined parks, blasted statuary, vacant lots overgrown with weeds and collapsed apartment houses with rusted girders poking out of their sides like ribs. But here and there, interspersed among the desolate shells of the heavy old public buildings, I began to see new buildings, too, which were connected by futuristic walkways lit from beneath. Long, cool perspectives of modern architecture, rising phosphorescent and eerie from the rubble.I went inside one of these new buildings. It was like a laboratory, maybe, or a museum. My footsteps echoed on the tile floors.There was a cluster of men, all smoking pipes, gathered around an exhibit in a glass case that gleamed in the dim light and lit their faces ghoulishly from below.I drew nearer. In the case was a machine revolving slowly on a turntable, a machine with metal parts that slid in and out and collapsed in upon themselves to form new images. An Inca temple… click click click… the Pyramids… the Parthenon.History passing beneath my very eyes, changing every moment.’I thought I’d find you here,’ said a voice at my elbow.It was Henry. His gaze was steady and impassive in the dim light. Above his ear, beneath the wire stem of his spectacles, I could just make out the powder burn and the dark hole in his right temple.I was glad to see him, though not exactly surprised. ‘You know,’ I said to him, ‘everybody is saying that you’re dead.’He stared down at the machine. The Colosseum… click click click… the Pantheon. ‘I’m not dead,’ he said. ‘I’m only having a bit of trouble with my passport.”What?’He cleared his throat. ‘My movements are restricted,’ he said.’I no longer have the ability to travel as freely as I would like.’Hagia Sophia. St. Mark’s, in Venice. ‘What is this place?’ I asked him.’That information is classified, I’m afraid.’1 looked around curiously. It seemed that I was the only visitor.’Is it open to the public?’ I said.’Not generally, no.’I looked at him. There was so much I wanted to ask him, so much I wanted to say; but somehow I knew there wasn’t time and even if there was, that it was all, somehow, beside the point.’Are you happy here?’ I said at last.He considered this for a moment. ‘Not particularly,’ he said.’But you’re not very happy where you are, either.’St. Basil’s, in Moscow. Chartres. Salisbury and Amiens. He glanced at his watch.’I hope you’ll excuse me,’ he said, ‘but I’m late for an appointment.’He turned from me and walked away. I watched his back receding down the long, gleaming hall.”

“Your god, sir, is the World. In my eyes, you, too, if not an infidel, are an idolater. I conceive that you ignorantly worship: in all things you appear to me too superstitious. Sir, your god, your great Bel, your fish-tailed Dagon, rises before me as a demon. You, and such as you, have raised him to a throne, put on him a crown, given him a sceptre. Behold how hideously he governs! See him busied at the work he likes best — making marriages. He binds the young to the old, the strong to the imbecile. He stretches out the arm of Mezentius and fetters the dead to the living. In his realm there is hatred — secret hatred: there is disgust — unspoken disgust: there is treachery — family treachery: there is vice — deep, deadly, domestic vice. In his dominions, children grow unloving between parents who have never loved: infants are nursed on deception from their very birth: they are reared in an atmosphere corrupt with lies … All that surrounds him hastens to decay: all declines and degenerates under his sceptre. Your god is a masked Death.”

“He gave her a bright fake smile; so much of life was a putting off of unhappiness for another time. Nothing was ever lost by delay. He had a dim idea that perhaps if one delayed long enough, things were taken out of one’s hands altogether by death.”

“(An unhappy childhood was not) an unsuitable preparation for my future, in that it demanded a constant wariness, the habit of observation, and the attendance on moods and tempers; the noting of discrepancies between speech and action; a certain reserve of demeanour; and automatic suspicion of sudden favours.”

“I do not want to be rich yet live a life of unhappiness. I also do not want to be poor, because I have never seen happiness in poverty.”

“Bah! you, too, have ideals,” he muttered, looking at her almost with hatred, and smiling sarcastically. “I ought to have considered that . . . . Well, that’s praiseworthy, and it’s better for you . . . and if you reach a line you won’t overstep, you will be unhappy . . . and if you overstep it, maybe you will be still unhappier . . . .”

“Some of the people who we envy for having something we lack envy us for lacking something they have.”

“It wasn’t like he wasn’t capable of happiness. It was almost as if he held himself away from it just the slightest bit. He felt undeserving of it, mistrustful of it, and the unfairness of that made her want to shake some sense into his stubborn head.”

“Judgments are the only possible cause of unhappiness and happiness.”

“It is impossible for your reasons to be unhappy to exceed those to be happy.”

“Most people have given back to life the power to make themselves happy.”