“Many people can and have written books, but many have nothing to say.”

“V.S. Pritchett’s definition of a short story is ‘something glimpsed from the corner of the eye, in passing.’ Notice the ‘glimpse’ part of this. First the glimpse. Then the glimpse gives life, turned into something that illuminates the moment and may, if we’re lucky — that word again — have even further ranging consequences and meaning. The short story writer’s task is to invest the glimpse with all that is in his power. He’ll bring his intelligence and literary skill to bear (his talent), his sense of proportion and sense of the fitness of things: of how things out there really are and how he sees those things — like no one else sees them. And this is done through the use of clear and specific language, language used so as to bring to life the details that will light up the story for the reader. For the details to be concrete and convey meaning, the language must be accurate and precisely given. The words can be so precise they may even sound flat, but they can still carry; if used right they can hit all the notes.”

“As I train myself to cast off words, as I learn to erase word-thoughts, I begin to feel a new world rising up around me, The old world of houses, rooms, trees and streets shimmers, wavers and tears away, revealing another universe as startling as fire. We are shut off from the fullness of things. Words hide the world. They blur together elements that exist apart, or they break elements into pieces bind up the world, contract it into hard little pellets of perception. But the unbound world, the world behind the world – how fluid it is, how lovely and dangerous. At rare moments of clarity, I succeed in breaking through. Then I see. I see a place where nothing is known, because nothing is shaped in advance by words. There, nothing is hidden from me. There, every object presents itself entirely, with all its being. It’s as if, looking at a house, you were able to see all four sides and both roof slopes. But then, there’s no “house,” no “object,” no form that stops at a boundary, only a stream of manifold, precise, and nameless sensations, shifting into one another, pullulating, a fullness, a flow. Stripped of words, untamed, the universe pours in on me from every direction. I become what I see. I am earth, I am air. I am all. My eyes are suns. My hair streams among the galaxies.”

“May the key of inspiration unlock your dungeon of creativity”

“Do not teach children about the meaning of inspiration. Lead by example and show them first hand. Actions speak louder than words.”

“It is strange to hear my wordsRead back to me.I don’t think I wrote themTo have them ever leave the page.I think I only writeWhat happens across my brainWhen my feet are too weary To dance anymore.”

“Have you ever pondered the miracle of popcorn? It starts out as a tiny, little, compact kernel with magic trapped inside that when agitated, bursts to create something marvelously desirable. It’s sort of like those tiny, little thoughts trapped inside an author’s head that―in an excited explosion of words―suddenly become a captivating fairy tale!”

“When Inspiration and imagination meet, words smile at us.”

“We cannot control the way people interpret our ideas or thoughts, but we can control the words and tones we choose to convey them. Peace is built on understanding, and wars are built on misunderstandings. Never underestimate the power of a single word, and never recklessly throw around words. One wrong word, or misinterpreted word, can change the meaning of an entire sentence and start a war. And one right word, or one kind word, can grant you the heavens and open doors.”

“Evan Connell said once that he knew he was finished with a short story when he found himself going through it and taking out commas and then going through the story again and putting the commas back in the same places. I like that way of working on something. I respect that kind of care for what is being done. That’s all we have, finally, the words, and they had better be the right ones, with the punctuation in the right places so that they an best say what they are meant to say. If the words are heavy with the writer’s own unbridled emotions, or if they are imprecise and inaccurate for some other reason — if the worlds are in any way blurred — the reader’s eyes will slide right over them and nothing will be achieved. Henry James called this sort of hapless writing ‘weak specification’.”

“The music lets me see the story but the story doesn’t let me write the words.”

“The true life is not reducible to words spoken or written, not by anyone, ever.”

“The early dew-falls that did a pristine coating,over the woods with its finest transparency,glazed as like its wet white-glassy earrings that hung on the ears of wild flowers—unlatched my fancy.”

“My heart’s been broken in a thousand pieces I’ve lived and died a thousand times And in each of those lifetimes With all of those pieces I chose you…A million times.”