“I have always thought that if women’s hair posed so many problems, God would certainly have made us bald.”

“If it is perfectly acceptable for a widow to disfigure herself or commit suicide to save face for her husband’s family, why should a mother not be moved to extreme action by the loss of a child or children? We are their caretakers. We love them. We nurse them when they are sick. . . But no woman should live longer than her children. It is against the law of nature. If she does, why wouldn’t she wish to leap from a cliff, hang from a branch, or swallow lye?”

“Some women seem so voluptuous in every sense, richly bountiful and fertile with generous gifts of plenty, sensual and confident in their female strength that they are called “earth mothers.”That’s how some days feel—when they are bountiful and fertile with the power of our imagination.”

“Vampires, like virgins or priests, are things that women believe in. We must never fail to humor them in such matters.”

“There’s this mental illness, right? It’s called ‘anhedonia.’ It means ‘without pleasure.’ You can look it up, though all you really need to do is look around.” She motioned to the door the other women had disappeared through, and to the world at large. “A good deal of people, mostly women, spend their entire lives in this state. It’s a sort of half-death. But if you recognize this, you can fix it…You focus on bliss. Small pleasures. Fill your day with as many as you can fit into twenty-four hours. You devote every possible moment not to fulfilling another person-a man-but yourself.”-Suzanne”Sounds hedonistic”- Joanna”But once you can do this, you start attracting everyone to you. You dont need compare yourself to some other girl, no matter how young or firm or perky she is…..Trust me. A woman like this, one at her best? We’re the color of the world. We’re the light and the beauty. So focus on your pleasure, and the man you want can’t help but realize…that he may be a prince…but your a goddess.-Suzanne”

“All those other girls are cake…I’m Crème brûlée…Tiramisu, if you will. Just a few notches above.”

“Used to be hewas my heart’s desire.His forthright gaze,his expert hands:I’d lie on the couch with my eyesclosed just thinking about it.Never about the factthat everything changes,that even this,my best passion,would not be immune.No, I would bask on in aneternal daydream of the handsfinding me, the gaze like a windingstair coaxing me down. . . .Until I caught a glimpseof something in the mirror:silly girl in her lingerie,dancing with the furniture–a hot little bundle, flush withcliches. Into that pairof too-bright eyes I lookedand saw myself. And something else:he would never look that way.”

“She is the crescendo, the final, astonishing work of God. Woman. In one last flourish creation comes to a finish with Eve. She is the Master’s finishing touch.”

“It was ironic, but when you scratched the surface, most successful men were working for one thing only–to retire–and the sooner the better. Whereas women were the complete opposite. She had never heard a woman say she was working so she could retire to a desert island or to live on a boat. It was probably, she thought, because most women didn’t think they deserved to do nothing.”

“Women think in [Douglas] Sirk’s films. Something which has never struck me with other directors. None of them. Usually women are always reacting, doing what women are supposed to do, but in Sirk they think. It’s something that has to be seen. It’s great to see women think. It gives one hope. Honestly.”

“A woman’s got one life: She’s got to reach out and grab it with both hands, or it’ll pass her by and leave nothing but a smelly old fart in her face.”

“Similar to a butterfly, I’ve gone through a metamorphosis, been released from my dark cocoon, embraced my wings, and soared!”

“For you she learned to wear a short black slipand red lipstick,how to order a glass of red wineand finish it. She learned to reach outas if to touch your arm and then nottouch it, changing the subject.Didn’t you think, she’d begin, orWeren’t you sorry. . . .To call your best friendsby their schoolboy namesand give them kisses good-bye,to look away when they sayYour wife! So your confidence grows.She doesn’t ask what you wantbecause she knows.Isn’t that what you think?When actually she was only waitingto be told Take off your dress—to be stunned, and then do this,never rehearsed, but perfectly obvious:in one motion up, over, and gone,the X of her arms crossing and uncrossing,her face flashing away from you in the fabricso that you couldn’t say if she wasappearing or disappearing.”

“Many questions come to mind. How influenced by contemporary religions were many of the scholars who wrote the texts available today? How many scholars have simply assumed that males have always played the dominant role in leadership and creative invention and projected this assumption into their analysis of ancient cultures? Why do so many people educated in this century think of classical Greece as the first major culture when written language was in use and great cities built at least twenty-five centuries before that time? And perhaps most important, why is it continually inferred that the age of the “pagan” religions, the time of the worship of female deities (if mentioned at all), was dark and chaotic, mysterious and evil, without the light of order and reason that supposedly accompanied the later male religions, when it has been archaeologically confirmed that the earliest law, government, medicine, agriculture, architecture, metallurgy, wheeled vehicles, ceramics, textiles and written language were initially developed in societies that worshiped the Goddess? We may find ourselves wondering about the reasons for the lack of easily available information on societies who, for thousands of years, worshiped the ancient Creatress of the Universe.”

“Il arrive qu’on fasse des pieds et des mains pour atteindre un objectif, mais il vous échappe parce que les lois cosmiques suivent une autre voie.”