“On the beach, at dawn:Four small stones clearlyHugging each other.How many kinds of loveMight there be in the world,And how many formations might they makeAnd who am I everTo imagine I could knowSuch a marvelous business?When the sun brokeIt poured willingly its lightOver the stonesThat did not move, not at all,Just as, to its always generous term,It shed its light on me,My own body that loves, Equally, to hug another body.”

“we must bringour own lightto thedarkness.”

“From love’s plectrum arisesthe song of the string of lifeLove is the light of lifelove is the fire of life”

“The best way to be appreciative for your life is to live it; don’t die for any other reason but love. Dreams are what guide us, art is what defines us, math is makes it all possible, and love is what lights our way.”

“That is what you meant to me: a light that shone through the darkness.” (Your smile, p. 56)”

“One night he sits up. In cots around him are a few dozen sick or wounded. A warm September wind pours across the countryside and sets the walls of the tent rippling.Werner’s head swivels lightly on his neck. The wind is strong and gusting stronger, and the corners of the tent strain against their guy ropes, and where the flaps at the two ends come up, he can see trees buck and sway. Everything rustles. Werner zips his old notebook and the little house into his duffel and the man beside him murmurs questions to himself and the rest of the ruined company sleeps. Even Werner’s thirst has faded. He feels only the raw, impassive surge of the moonlight as it strikes the tent above him and scatters. Out there, through the open flaps of the tent, clouds hurtle above treetops. Toward Germany, toward home.Silver and blue, blue and silver.Sheets of paper tumble down the rows of cots, and in Werner’s chest comes a quickening. He sees Frau Elena kneel beside the coal stove and bank up the fire. Children in their beds. Baby Jutta sleeps in her cradle. His father lights a lamp, steps into an elevator, and disappears.The voice of Volkheimer: What you could be.Werner’s body seems to have gone weightless under his blanket, and beyond the flapping tent doors, the trees dance and the clouds keep up their huge billowing march, and he swings first one leg and then the other off the edge of the bed.“Ernst,” says the man beside him. “Ernst.” But there is no Ernst; the men in the cots do not reply; the American soldier at the door of the tent sleeps. Werner walks past him into the grass.The wind moves through his undershirt. He is a kite, a balloon.Once, he and Jutta built a little sailboat from scraps of wood and carried it to the river. Jutta painted the vessel in ecstatic purples and greens, and she set it on the water with great formality. But the boat sagged as soon as the current got hold of it. It floated downstream, out of reach, and the flat black water swallowed it. Jutta blinked at Werner with wet eyes, pulling at the battered loops of yarn in her sweater.“It’s all right,” he told her. “Things hardly ever work on the first try. We’ll make another, a better one.”Did they? He hopes they did. He seems to remember a little boat—a more seaworthy one—gliding down a river. It sailed around a bend and left them behind. Didn’t it?The moonlight shines and billows; the broken clouds scud above the trees. Leaves fly everywhere. But the moonlight stays unmoved by the wind, passing through clouds, through air, in what seems to Werner like impossibly slow, imperturbable rays. They hang across the buckling grass.Why doesn’t the wind move the light?Across the field, an American watches a boy leave the sick tent and move against the background of the trees. He sits up. He raises his hand.“Stop,” he calls.“Halt,” he calls.But Werner has crossed the edge of the field, where he steps on a trigger land mine set there by his own army three months before, and disappears in a fountain of earth.”

“Presentiment is that long shadow on the lawnIndicative that suns go down;The notice to the startled grassThat darkness is about to pass.”

“No matter how bleak and black her existence became, the familiar sight of the moon restored something within her, small as it was—like tiny fluttering wings of flame beating back the darkness.”

“I’d rather not know what lies ahead because I like the dark. I like thinking there is something good in the places I can’t see. And that’s not ignorance. That’s just hope.”

“You have the freedom and the ability to decide what to do with your life, and that includes learning how to welcome happiness again. It’s a conscious choice we each have to make, to emerge from the embers of profound loss and hopelessness, to become the fire that warms us, lights our path, all of it. We can embody that warmth and light.”

“Just please understand that everyone is going through a rough time as well. Even if they are hiding behind money or a simple smile. We are all continuously stumbling as we go about our lives. If we had perfect lives we’d all be perfect people. Only thing we can learn to do is endure or we will not be happy and happiness is the closest thing to perfect.”

“The bird of hope singsPerched on the branches of twilight;Never grieve for anythingFor, the day always follows the night!”

“Guard yourself with a positive attitude, conviction, hope and fulfillment of your heart’s desire.”

“There is still hope that if the people refuse to give up and keep silent, no matter how long or inconsequential their voices could be at the beginning, it would still be heard and justice be served.”