“По очите на момчето личеше, че не ми врява, но че много би искало това да е вярно… В очите на възрастните такива работи не могат да се видят.”

“Only In SleepOnly in sleep I see their faces,Children I played with when I was a child,Louise comes back with her brown hair braided,Annie with ringlets warm and wild.Only in sleep Time is forgotten –What may have come to them, who can know?Yet we played last night as long ago,And the doll-house stood at the turn of the stair.The years had not sharpened their smooth round faces,I met their eyes and found them mild –Do they, too, dream of me, I wonder,And for them am I too a child?”

“O I never thought that joys would run away from boys,Or that boys would change their minds and forsake such summer joys;But alack I never dreamed that the world had other toys”

“Eventually, however, the denial turned into emptiness and my childhood ended.”

“The day she was born,her grandfather made her a ring of silver and a polished stone, because he loved her already.”

“Every corner and room of a house will carry memories, make these the most pleasurable times you shared with your family.”

“Stanley forced a smile to his lips at the memory of the onesided romance; it was silly, after all, a stupid childhood crush. Who’d fall in love with a fictional character? That was the kind of thing you laughed about as an adult. Or at least Harriet had thought so. He couldn’t quite do it, though. Couldn’t quite see it as a joke. It had felt too real, too raw and wild and fierce, for him todismiss it even now. It was love, of a sort, stunted and unformed as it was. For a time, it had kept him sane.”

“Every November of my boyhood, we put on red poppies and attended highly patriotic services in remembrance of those who had ‘given’ their lives. But on what assurance did we know that these gifts had really been made? Only the survivors—the living—could attest to it. In order to know that a person had truly laid down his life for his friends, or comrades, one would have to hear it from his own lips, or at least have heard it promised in advance. And that presented another difficulty. Many brave and now dead soldiers had nonetheless been conscripts. The known martyrs—those who actually, voluntarily sought death and rejoiced in the fact—had been the kamikaze pilots, immolating themselves to propitiate a ‘divine’ emperor who looked (as Orwell once phrased it) like a monkey on a stick. Their Christian predecessors had endured torture and death (as well as inflicted it) in order to set up a theocracy. Their modern equivalents would be the suicide murderers, who mostly have the same aim in mind. About people who set out to lose their lives, then, there seems to hang an air of fanaticism: a gigantic sense of self-importance unattractively fused with a masochistic tendency to self-abnegation. Not wholesome.The better and more realistic test would therefore seem to be: In what cause, or on what principle, would you risk your life?”

“I don’t know where to start,” one [writing student] will wail. Start with your childhood, I tell them. Plug your nose and jump in, and write down all your memories as truthfully as you can. Flannery O’ Connor said that anyone who has survived childhood has enough material to write for the rest of his or her life. Maybe your childhood was grim and horrible, but grim and horrible is Okay if it is well done. Don’t worry about doing it well yet, though. Just get it down.”

“Each month is gay,Each season nice,When eatingChicken soupWith rice”

“(An unhappy childhood was not) an unsuitable preparation for my future, in that it demanded a constant wariness, the habit of observation, and the attendance on moods and tempers; the noting of discrepancies between speech and action; a certain reserve of demeanour; and automatic suspicion of sudden favours.”

“The Children’s HourBetween the dark and the daylight,When the night is beginning to lower,Comes a pause in the day’s occupations,That is known as the Children’s Hour.I hear in the chamber above meThe patter of little feet,The sound of a door that is opened,And voices soft and sweet.From my study I see in the lamplight,Descending the broad hall stair,Grave Alice, and laughing Allegra,And Edith with golden hair.A whisper, and then a silence:Yet I know by their merry eyesThey are plotting and planning togetherTo take me by surprise.A sudden rush from the stairway,A sudden raid from the hall!By three doors left unguardedThey enter my castle wall!They climb up into my turretO’er the arms and back of my chair;If I try to escape, they surround me;They seem to be everywhere.They almost devour me with kisses,Their arms about me entwine,Till I think of the Bishop of BingenIn his Mouse-Tower on the Rhine!Do you think, o blue-eyed banditti,Because you have scaled the wall,Such an old mustache as I amIs not a match for you all!I have you fast in my fortress,And will not let you depart,But put you down into the dungeonIn the round-tower of my heart.And there will I keep you forever,Yes, forever and a day,Till the walls shall crumble to ruin,And moulder in dust away!”

“No matter how much he talked, she never answered him, but he knew she was still there. He knew it was like the soldiers he had read about. They would have an arm or a leg blown off, and for days, even weeks after it happened, they could still feel the arm itching, the leg itching, the mother calling.”

“A Second Childhood.”When all my days are endingAnd I have no song to sing,I think that I shall not be too oldTo stare at everything;As I stared once at a nursery doorOr a tall tree and a swing.Wherein God’s ponderous mercy hangsOn all my sins and me,Because He does not take awayThe terror from the treeAnd stones still shine along the roadThat are and cannot be.Men grow too old for love, my love,Men grow too old for wine,But I shall not grow too old to seeUnearthly daylight shine,Changing my chamber’s dust to snowTill I doubt if it be mine.Behold, the crowning mercies melt,The first surprises stay;And in my dross is dropped a giftFor which I dare not pray:That a man grow used to grief and joyBut not to night and day.Men grow too old for love, my love,Men grow too old for lies;But I shall not grow too old to seeEnormous night arise,A cloud that is larger than the worldAnd a monster made of eyes.Nor am I worthy to unlooseThe latchet of my shoe;Or shake the dust from off my feetOr the staff that bears me throughOn ground that is too good to last,Too solid to be true.Men grow too old to woo, my love,Men grow too old to wed;But I shall not grow too old to seeHung crazily overheadIncredible rafters when I wakeAnd I find that I am not dead.A thrill of thunder in my hair:Though blackening clouds be plain,Still I am stung and startledBy the first drop of the rain:Romance and pride and passion passAnd these are what remain.Strange crawling carpets of the grass,Wide windows of the sky;So in this perilous grace of GodWith all my sins go I:And things grow new though I grow old,Though I grow old and die.”